Susan Maughlin Wood

Composer for Media and Concert Music

…is an award-winning independently contracting composer and artist seeking opportunities in film, educational apps, games and other media. While engaged in writing concert repertoire and chamber arrangements she is a visionary of passion projects including festival hits music video “Spectratta” (and its offshoot Butoh dance-fusion “Spectrutoh”) as well as documusic film “Coastal Fire: A Common Diary” which details the emotional fallout from the 2016 US presidential election on a personal and societal level, and which is every bit as relevant for the current election cycle. Susan holds a Master of Music in Film Composition from the Pacific NW Film Scoring Program at SFI, and served as Past President on the Board of Directors of the Seattle Composers Alliance.

NDAs that go both ways

At first, it was a very odd feeling to need to sign a non-disclosure agreement about projects I was working on. The pain of having all of this music I'm super extra proud of and want to share, that I cannot. I acclimated about as much I could, though. Projects started to collect, as they do. Some of them have gone into hibernation, some have changed, one has actually died. Some are moving. Now the shoe is on both feet at the same time, as I send out my own little NDA for collaborators. The waiting IS the hardest part.

Congratulations to the winners

I'm constantly being thrown curveballs in this industry. I was asked to be on the SCA jury to award an original score prize to a feature and a short film for the 17th annual Local Sightings Film Festival at Northwest Film Forum. I'm so glad I overcame my initial reluctance because I otherwise wouldn't have had the opportunity to watch such an amazing scope and variety of work among the eight features and 18 shorts, give or take, that my colleagues and I screened. Congratulations to Daryl Bennett for "The Exhibition" and Melody Loveless for "Maureen." People don't often realize how crucial the underscore is in the success of the overall film, so it's really gratifying to be able to recognize and reward such excellence. Bravo.

James Richter and Susan Maughlin Wood of Seattle Composers Alliance

James Richter and Susan Maughlin Wood of Seattle Composers Alliance

Interludes are up!

Go check them out here. Keep in mind that this was a one-time, live performance so I trust that you will forgive the occasional errant bang, cough and other irregularity on the string quartet pieces. Also keep in mind that they are free downloads (although I do welcome donations, which are easy to do on Bandcamp!)

https://punchbeam.bandcamp.com/album/bridging-the-journey-interludes

…and for context, the entire concert is available on YouTube split into four parts:

https://www.youtube.com/watch?v=a1lm4GyJHE0

with complete program notes here: http://www.ryanellis.net

Thanks again for your support and encouragement.

 

Crossed Those Bridges

The concert last week was amazing, as I'd expected and hoped, and the sentiment seems to have been shared! The string quartet interludes were very well received, as were the manipulated sound files. I have promised to get all nine interludes up online as soon as possible. 

UW Summer Chorale led by Ryan Ellis

UW Summer Chorale led by Ryan Ellis

Emergency Brake

My heart is broken but the shards are full from witnessing the outpouring of love and gratitude for Robin Williams and all the joy he gave the world. I could never look into his eyes in a photo or his expression in film or video and not see a depth of character that defied containment. My generation grew up with Mork as our crazy space cousin, and then all the other facets of Robin started breaking through as his particular genius unfolded throughout decades. The world has so much to miss and mourn, and we recognize it and are showing it. But I am a little amazed and further heartbroken at the idea of people who have reacted to Robin Williams' suicide with judgment. I understand the impulse to call suicide a selfish act. After all, everyone else is left to pick up the pieces. But this impulse to judge is wrong and comes from a place of fear and darkness that is its own separate beast.

Not only wasn't it a selfish choice… it wasn't even really a choice. Calling depression a choice, calling suicide a choice... is like calling being dizzy from an octopus ride a choice. You can't will yourself to not be dizzy if you're on a ride designed to make you dizzy. Clinical depression is like waking up somehow having been strapped into an octopus ride against your will. You have been on its tamer cousin a few times before, it's nothing you can't handle. You've even thrown up once from a ride that lasted one rotation too long. Maybe in a fit of boredom you even spun yourself around and around to simulate the ride. But you eventually figured out you didn't really like that ride, would rather go on a ferris wheel or a nice long stroll instead, and got off at the next opportunity, because it stops and starts all the time. The fluid in your ears sloshed back down and the world stopped twirling, and you went on with life. Set some goals, did some charity work.

But it is slowly dawning on you that this ride is different. It doesn't seem like it ever intends to slow down, let alone stop and let you out, and curiously you are too tired to feel scared because you are still feeling half-asleep. After the initial confusion there are different ways you can react. You can white-knuckle it and hang on for dear life, squeezing your eyes shut and not moving a muscle; you can try to briefly orient yourself by spinning your head in tandem with the rotations and gyrations until your neck seizes up; you can grasp the restraint bar with one hand and flail your free arm around and yell for help (although calling attention to yourself was never your wish, and even then, people on the ground look up and smile and wave back;) you can just go with it and throw both arms up in the air, cackling and whooping; when all of that tires you out further, you can contemplate the meaning of amusement park rides and wonder how long this ride is, who built it, who is at the controls, and whether you'd insult them by rejecting their sleek design; and finally, unable to stop the madness and unable to imagine it ever stopping, you can unstrap yourself and jump out. One thing you cannot do, and never did, is choose to be on this ride in the first place.

What you didn't know and couldn't fathom, was that any of the people on the ground could have run for the emergency brake at any time. Instead, most of them screamed as you fell, while a tiny few stood around - people who didn't even know you! - muttering inexplicably about selfishness, not even realizing which ride you were on.

RIP MorkGarpFisherPeterDoubtfireGenie... Robin. Robin. Thank you and we are so sorry. We thank your family for sharing you with us and for doing all they could to make your journey here longer and brighter.

ADDENDUM: this post has gotten a big response and I want to make absolutely certain I am not misunderstood. Just as I'm not judging suicide, nor am I advocating for it. I simply want to help people get inside that mindset and have a deeper, more empathetic understanding of it, so that everyone might be a little better off. By all means, seek immediate professional help if you are in that place. 1-800- 273-TALK. I would be one of those screaming on the ground if you didn't.